Music for intimacy, presence, and the in-between
spiral (2025)
Kélanie’s debut album, built around the experience of a spiraling mind: exploring cycles of thought and emotional repetition, and their movement back into the body.
Through layered vocals and slow, repetitive forms, the album unfolds as a process of grounding where attention shifts from the mind toward presence, sensation, and connection to the earth.
mundo (2022)
Kélanie’s first project, an experimental ep shaped around the process of returning to oneself. The EP unfolds as a loop: the final track circles back to the start, suggesting that transformation is not linear.
The title Mundo (“world”) draws from the language of Kélanie’s strict religious upbringing, where “the world” was often used to describe those outside the church, carrying a sense of distance or disapproval. In this project, the term is reclaimed. Moving into the world becomes a way of reconnecting to the body, to land, and to ancestral memory.
Mundo is accompanied by a visual EP that can be experienced as a complete work. The film was created during an art residency in a remote natural setting.
Additional releases are available on streaming platforms.
